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    • Considering the Collection & A Vista on Italy and France, from 7.6.2025
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      • Considering the Collection & The Day You Were Thinking About the Sibyl While You Were Picking Autumn Leaves An Insert by Ana Torfs, from 3.10.2025
      • 2025 Wild Apollo’s Arrows. Klopstock Cult & Ossian Fever
      • 2025 Considering the Collection
      • Considering the Collection & Cranach’s Holy Productivity An Insert by Klaus Scherübel
      • 2023/24 History Tales. Fact and Fiction in History Painting
      • 2023 Considering the Collection & King Vulture An Insert by Willem de Rooij
      • 2022 – The Purloined Masterpiece
      • 2021 Hungry for Time
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Publications

Current
 
  • 2025

    Die Pfeile des wilden Apollo. Klopstockkult & Ossianfieber

    Picture essay book (in German) on the exhibition
    Author Alexander Roob
    Edited by Sabine Folie 

  • 2024

    Inventory catalogue Italienische, französische und spanische Gemälde. Gemäldegalerie der Akademie der bildenden Künste Wien

    Edited by Martina Fleischer
     

  • 2024

    2 Klaus Scherübel Cranach’s Holy Productivity
    Publication series of the Art Collections Considering the Collection & An Insert by ...

    Edited by Sabine Folie

  • 2024

    2 Considering the Collection. Paintings Gallery
    Publication series of the Art Collections Considering the Collection & An Insert by  ...

    Edited by Sabine Folie, Claudia Koch

  • 2024

    History Tales. Fact and Fiction in History Painting

    Edited by Sabine Folie
    Exhibition catalogue 

  • 2023

    1 Willem de Rooij King Vulture
    Publication series of the Art Collections Considering the Collectoin & An insert by …

    Edited by Sabine Folie

  • 2022

    The Purloined Masterpiece. Images as Time Machines

    Edited by Sabine Folie
    Exhibition catalogue

  • 2022

    Hungry for Time. An Invitation to Epistemic Disobedience with Raqs Media Collective, in the Art Collections of the Academy of Fine Arts Vienna

    Edited by Ingeborg Erhart, Johan F. Hartle and Raqs Media Collective (with Shveta Sarda) and associated editor Barbara Mahlknecht

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