Wild Apollo’s Arrows. Klopstock Cult & Ossian Fever
7.3.–25.5.2025 

Paintings Gallery & Exhibit Gallery
Schillerplatz 3
1010 Vienna



Contact: 
Claudia Bauer 
Head of Communication 
+43 1 58816 2211  
c.bauer@akbild.ac.at 
kunstsammlungen_presse@akbild.ac.at 
 
Opening: Thursday, 6 March 2025, 19 h
Press tour: Thursday, 6 March 2025, 11 h
Accreditation via email to: kunstsammlungen_presse@akbild.ac.at

Location: Akademie der bildenden Künste Wien, Paintings Gallery and Exhibit Gallery, Schillerplatz 3, 1010 Vienna
Opening hours: daily except Monday, 10–18 h

An exhibition by the Art Collections in cooperation with Exhibit Galerie

Decades before the French Revolution, the Age of Enlightenment saw a sudden outbreak of irrational sentiment, expressed in exuberant emotions, notions of spiritualistic gender switching, and a fragmented, heroic, and introspective view of art. This was the onset of an epochal shift with consequences for pictorial art: reliance on the actual appearance of things gave way to the mystical and diffuse, accompanied by a greater interest in the realm of acoustics. 

In parallel to the exhibition Wild Apollo’s Arrows. Klopstock Cult & Ossian Fever in three rooms at the Paintings Gallery and three at the Exhibit Gallery, we continue to present our collection in the Paintings Gallery with alternating thematic focuses under the motto Considering the Collection.


More information about the content of the exhibition in the > presserelease.pdf.


 
Press photographs for download  > 

 
  • Motif combining works by Johann Peter Pichler after Heinrich Friedrich Füger, Homer Reciting, 1803 © Graphic Collection of the Academy of Fine Arts Vienna, and Carl Wilhelm Kolbe the Elder, Ice-skating Bard („Braga“), 1793–1794 © Hamburger Kunsthalle, Kupferstichkabinett / bpk
    photo: Julia Bau, Design composite motif: Beton
    Motif combining works by Johann Peter Pichler after Heinrich Friedrich Füger, Homer Reciting, 1803 © Graphic Collection of the Academy of Fine Arts Vienna, and Carl Wilhelm Kolbe the Elder, Ice-skating Bard („Braga“), 1793–1794 © Hamburger Kunsthalle, Kupferstichkabinett / bpk photo: Julia Bau, Design composite motif: Beton
  • Josef Abel, Klopstock’s Arrival in Elysium, 1805
    © National Gallery Prague 2024
    Josef Abel, Klopstock’s Arrival in Elysium, 1805© National Gallery Prague 2024
  • Heinrich Friedrich Füger, Klopstock, The Messiah, Canto IX: Condemnation of the Soul of Judas Iscariot, 1813–1818
    © Paintings Gallery of the Academy of Fine Arts Vienna
    Heinrich Friedrich Füger, Klopstock, The Messiah, Canto IX: Condemnation of the Soul of Judas Iscariot, 1813–1818© Paintings Gallery of the Academy of Fine Arts Vienna
  • Joseph Anton Koch, Fingal’s Battle with the Spirit of Loda (Carricthura), sheet 3 from the
    illustrations to James Macpherson, Ossian, 1803–1805
    © Graphic Collection of the Academy of Fine Arts Vienna
    Joseph Anton Koch, Fingal’s Battle with the Spirit of Loda (Carricthura), sheet 3 from the illustrations to James Macpherson, Ossian, 1803–1805© Graphic Collection of the Academy of Fine Arts Vienna
  • Carl Wilhelm Kolbe the Elder, Ice-skating Bard (“Braga“), 1793–1794
    © Hamburger Kunsthalle / bpk, photo: Julia Bau
    Carl Wilhelm Kolbe the Elder, Ice-skating Bard (“Braga“), 1793–1794© Hamburger Kunsthalle / bpk, photo: Julia Bau
  • Johann Peter Pichler after Heinrich Friedrich Füger, Homer Reciting, 1803
    © Graphic Collection of the Academy of Fine Arts Vienna
    Johann Peter Pichler after Heinrich Friedrich Füger, Homer Reciting, 1803© Graphic Collection of the Academy of Fine Arts Vienna
  • Julius Schnorr von Carolsfeld, Johann David Passavant, 1821, from the Roman Portrait Book
    © Graphic Collection of the Academy of Fine Arts Vienna
    Julius Schnorr von Carolsfeld, Johann David Passavant, 1821, from the Roman Portrait Book© Graphic Collection of the Academy of Fine Arts Vienna
  • Bonaventura Emler, The Song of Sul-malla, scene from James Macpherson, Ossian, 1849
    © Graphic Collection of the Academy of Fine Arts Vienna
    Bonaventura Emler, The Song of Sul-malla, scene from James Macpherson, Ossian, 1849 © Graphic Collection of the Academy of Fine Arts Vienna
  • Julius Schnorr von Carolsfeld, Christ’s Parable of the Tares, 1816
    © Graphic Collection of the Academy of Fine Arts Vienna
    Julius Schnorr von Carolsfeld, Christ’s Parable of the Tares, 1816 © Graphic Collection of the Academy of Fine Arts Vienna
  • Pia Wilma Wurzer, Elysium, 2024
    © Pia Wilma Wurzer
    Pia Wilma Wurzer, Elysium, 2024 © Pia Wilma Wurzer

  • Note: The photographic material may be used free of charge exclusively for editorial reporting on the exhibition and the Art Collections of the Academy of Fine Arts Vienna and must be marked with the copyright of the originator when published.