The Academy of Fine Arts Vienna

As Austria's most traditional art university, the Academy of Fine Arts Vienna has been an important educational institution for artists for over 325 years. Based on its leading position in Central Europe and its high quality standards, it is one of the most internationally renowned art universities, where teachers and students from all regions of the world work together.

The Academy’s Paintings Gallery and Graphic Collection rank among Austria’s most significant art collections. Engaging with these collections sheds light on how artists of the past pursued their studies and helps to individuate one’s profile by critically examining the historical legacy. The Academy’s exhibition practice focuses on contemporary perspectives and approaches. In addition to project spaces for testing presentation settings at the individual locations, the exhibition space in Eschenbachgasse is another showcase for contemporary art directly in the museum and gallery environment and an important interface between the academy and the public.

We offer our approximately 1,500 students a range of curricula that span from painting and sculpture to photography, video, performance, and conceptual art and also include architecture, stage design, as well as conservation and restoration. The courses and projects of the Institute of Art Theory and Cultural Studies and the Institute of Natural Sciences and Technology in the Arts guarantee high theoretical standards of teaching in all fields of study, reflecting the position of the arts in the wider historical and social context. Closely related to these are the Academy’s education-in-the-arts studies, which we consider an essential contribution to the communication of art and culture. Doctoral studies, an internationally acclaimed PhD-in-practice program, and the Critical Studies master program complement the diploma programs respectively the bachelor/master programs in architecture. Students can make use of the manifold range of courses offered in the form of largely individual study paths.

Locations and Rooms

For teaching, research, studio and exhibition purposes, The Academy offers a total area of approximately 40.000 m2 spread over five buildings. The Academy’s heart is the historic building on Schillerplatz, which underwent a general renovation starting in 2017 and reopened with the winter semester of 2021.

Additional rooms are available for exhibitions, presentations, and events, enabling teachers, students, and graduates to present their work.

New concepts and strategies for the opening and use of urban spaces are to support existing formats and their further development to make them accessible to a wider public.



Peter Strudel, court and chamber painter to Emperor Leopold I, opened a private academy.

Earliest mention of the Academy's official recognition by the Emperor - it is thus the oldest art academy in Central Europe. Lessons were held in Peter Strudel's private residence near Währinger Straße.

When Peter Strudel died, the Academy was temporarily closed down.

Reestablishment as Imperial Court Academy, a public institution, under Emperor Charles VI, with chamber painter Jacob van Schuppen as prefect. The school was accommodated in Van Schuppen's apartment in Kärntner Straße. Its curriculum included painting, sculpture, architecture, and engraving.

The school changed quarters several times. It was mostly located in Vienna's first district.

Under the rectorate of Paul Troger, 217 new students enrolled, which marked an unprecedented heyday in the school's history.

The Court Academy moved into the building of the former university - today's Academy of Sciences.

Foundation of an engraving school by the copper engraver Jakob Matthias Schmutzer under the reign of Empress Maria Theresa. This Imperial and Royal Engraving Academy in Annagasse soon became a rival of the Court Academy.

State Chancellor Wenzel Anton Prince Kaunitz united all of the then-extant art schools within the k.k. freye, vereinigte Akademie der bildenden Künste, today's Academy of Fine Arts: the Imperial and Royal Court Academy of Painters, Sculptors and Architects, the Imperial and Royal Engraving Academy, as well as the Engravers' and Ore Cutters' School, and later on, the Commercial Drawing School.

The library, which until 2003 also included a print room, was first mentioned in records.

Joseph II decreed that all craftsmen take their master's exam at the Academy and present their masterpiece. Drawing lessons at ordinary schools were placed under the supervision of the Academy, which put forth the candidates for the position of drawing teachers.

The Academy moved to the so-called St.-Anna-Gebäude in Annagasse. Public art exhibitions were held.

The Academy was placed under the supervision of an Imperial "curator."

State Chancellor Clemens Wenzel von Metternich became "curator" of the Academy.

The Academy as supreme art authority was endowed with numerous privileges.

Count Anton Lamberg-Sprinzenstein's bequest laid the foundation for the picture gallery, comprising primarily works by Rubens, Van Dyck, and 17th-century Netherlandish painters.

Georg Ferdinand Waldmüller was appointed first curator of the picture gallery.

The Academy was partly closed down during the Revolution.

The Academy was no longer the supreme art authority, but an art school directly responsible to the Ministry of Education.

Approval of the construction of the new building in Schillerplatz after plans by Theophil Hansen.

According to a statute passed by Emperor Francis Joseph I, the Academy was turned into a Hochschule (college); from then on, its rector was elected and it disposed of a faculty of professors. Decorative arts ceased to be taught at the Academy.

Festive opening of the new building in the presence of Emperor Francis Joseph I. Anselm Feuerbach, among others, was commissioned with its interior decoration, which was completed in 1892.

Women were first admitted to the Academy.

Foundation of the Department of Conservation and Technology.

Scenography was introduced as a master course.

Immediately after Austria’s “Anschluss” to the German Reich, an interim management was appointed. Both the teaching and the administrative staff were purged, and numerous students were excluded from their studies.

Art education was introduced as a master course.

Classes were resumed in the severely damaged building in Schillerplatz in April 1945 under the provisional rector Herbert Boeckl.

The Academy Organization Act provided for scientific departments supplementing tuition in master courses.

The Semperdepot (built between 1874 and 1877 after plans by Gottfried Semper as a scenery depot for the Federal Theaters) was revitalized by Rector Carl Pruscha to be used by the Academy as studio facilities.

Under the Art Academy Organization Act, the Academy was de jure turned into a university, but retained its name Akademie der bildenden Künste Wien.

The 2002 University Organization Act provided for the Academy's legal autonomy, with the rector, vice-rectors, academic senate, and university council put in charge of its operation.

Rector Stephan Schmidt-Wulffen's development plan, restructuring courses and providing for a three-tier system of bachelor's, master's, and doctor's degrees, was approved by the university council.

Establishment of the Doctor of Philosophy (PhD) in Practice program.

Eva Blimlinger, together with Vice-Rectors Andrea B. Braidt and Karin Riegler, served as the first female Rector in the history of the Academy.

Start of general renovation of the Academy building on Schillerplatz.

Johan F. Hartle is appointed Rector and is leading the Academy together with Vice-Rectors Ingeborg Erhart and Celestine Kubelka (until 2022), Werner Skvara (since 2022)

Return relocation Schillerplatz